Victoria Pierre-Jean: Connecting Art with Community

Working at the intersection of memory, music, heritage and healing This week we welcome Victoria Pierre-Jean, a Haitian-American visual artist and community arts facilitator based in Brooklyn. Working in acrylic and mixed media, she explores themes of identity, cultural memory and healing, often through surreal portraiture and bold symbolism. She is the founder of Visually…

Kelly Nicole: The Unhidden Hand

This week we welcome Kelly Nicole, a painter whose work is defined by raw emotional power and immersive, tactile technique. Using only her hands, she blends oil, acrylic and metal leaf directly onto canvas, rejecting traditional tools in favor of a more immediate, physical connection to her materials. This finger-painting approach allows her to channel…

The True Revolutionary Meaning of Cinco de Mayo

Our colonizers and oppressors know what they do and have designed their corporations and market consumerism to reap super profits from Cinco de Mayo festivities in furtherance of the erasure of our true historical memory—through lies, myths, stereotypes, and revisionist history. Read more via Scalawag: The True Revolutionary Meaning of Cinco de Mayo.

A Carbon Diet: Five erasure poems

Nat Geo subsists in the same membrane as many other legacy publications by appealing to affluent and upper-middle-class neoliberals while never challenging their carbon-intensive lifestyles that are antithetical to what a bona fide conservationist magazine would endorse. Read more via Scalawag: A Carbon Diet: Five Erasure Poems.

Cullen Washington Jr.:  The gravity of painting the sublime

Creative freedom as a form of resistance This week we welcome Cullen Washington Jr., an African American abstract painter. A native of Louisiana, he lives and works in Queens.  Washington was the inaugural recipient of the Helen Frankenthaler Foundation residency at the International Studio and Curatorial Program, and was awarded both a grant and a…

How Aristotle Jones became the ‘Appalachian Soul Man’

Aristotle Jones learned Appalachian Soul music porch-pickin’ with his grandfather Robert Jones. The elder Jones didn’t play Bill Monroe or Carter Family Appalachian music. He played Black Appalachian music informed by the South, by gospel, by Delta blues. Read more via Scalawag: How Aristotle Jones Became the ‘Appalachian Soul Man’.

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